Николай Николаевич Ге
Обратите внимание: лекция разбита на несколько отрывков, и в конце каждого есть от меня вопрос. Вы отвечаете на вопрос, выбрав один из трех вариантов, и после этого подгружается следующая часть лекции.
Обратите внимание: лекция разбита на несколько отрывков, и в конце каждого есть от меня вопрос. Вы отвечаете на вопрос, выбрав один из трех вариантов, и после этого подгружается следующая часть лекции.
Bosch’s Boy with a Whirligig: Some Iconographical Speculations
Author(s): Walter S. Gibson
Source: Simiolus: Netherlands Quarterly for the History of Art, Vol. 8, No. 1 (1975 – 1976), 9-15
The Pawns in Bosch’s “Death and the Miser”
Author(s): ANNE M. MORGANSTERN
Source: Studies in the History of Art, Vol. 12 (1982), pp. 33-41
The Iconography of Hieronymus Bosch’s “St. Christopher carrying the Christ Child” (Rotterdam)
Author(s): Eric de Bruyn
Source: Oud Holland, Vol. 118, No. 1/2 (2005), pp. 28-37
The Prado Epiphany by Jerome Bosch
Author(s): Lotte Brand Philip
Source: The Art Bulletin, Vol. 35, No. 4 (Dec., 1953), pp. 267-293
Bosch’s “St. Anthony Triptych”–An Apothecary’s Apotheosis
Author(s): Laurinda S. Dixon
Source: Art Journal, Vol. 44, No. 2, Art and Science: Part I, Life Sciences (Summer, 1984), pp. 119-131
Salvation through Imitation: The Meaning of Bosch’s “St. Jerome in the Wilderness”
Author(s): Wendy Ruppel
Source: Simiolus: Netherlands Quarterly for the History of Art, Vol. 18, No. 1/2 (1988), pp. 4-12
Bosch’s Dreams: A Response to the Art of Bosch in the Sixteenth Century
Author(s): Walter S. Gibson
Source: The Art Bulletin, Vol. 74, No. 2 (Jun., 1992), pp. 205-218
JHERONIMUS BOSCH AND VICTOR VAN CARBEN; THE CONTROVERSY BETWEEN CHURCH AND SYNAGOGUE IN SOME OF BOSCH’S PAINTINGS
Author(s): EDWARD COHEN
Source: Studia Rosenthaliana, Vol. 18, No. 1 (JANUARY 1984), pp. 1-11
Hieronymus Bosch: Homo viator at a Crossroads: A New Reading of the Rotterdam tondo
Author(s): Yona Pinson
Source: Artibus et Historiae, Vol. 26, No. 52 (2005), pp. 57-84
Bosch’s Wanderer and a Poverty Commonplace from Juvenal
Author(s): René Graziani
Source: Journal of the Warburg and Courtauld Institutes, Vol. 45 (1982), pp. 211-216
God in the Details: Bosch and Judgment(s)
Author(s): Larry Silver
Source: The Art Bulletin, Vol. 83, No. 4 (Dec., 2001), pp. 626-650
Circumdederunt me canes multi: Christ’s Tormentors in Northern European Art of the Late Middle Ages and Early Renaissance
Author(s): James Marrow
Source: The Art Bulletin, Vol. 59, No. 2 (Jun., 1977), pp. 167-181
Hieronymus Bosch and the Mirror of Man: The Authorship and Iconography of the “Tabletop of the Seven Deadly Sins”
Author(s): WALTER S. GIBSON
Source: Oud Holland, Vol. 87, No. 4 (1973), pp. 205-226
The Social Status of Hieronymus Bosch
Author(s): Bruno Blondé and Hans Vlieghe
Source: The Burlington Magazine, Vol. 131, No. 1039 (Oct., 1989), pp. 699-700
Water, Wine, and Blood — Science and Liturgy in the “Marriage at Cana” by Hieronymus Bosch
Author(s): LAURINDA S. DIXON
Source: Oud Holland, Vol. 96, No. 2 (1982), pp. 73-96
Bosch’s “Garden of Earthly Delights”: A Progress Report
Author(s): E. H. Gombrich
Source: Journal of the Warburg and Courtauld Institutes, Vol. 32 (1969), pp. 162-170
The Triptychs of Hieronymus Bosch
Author(s): Lynn F. Jacobs
Source: The Sixteenth Century Journal, Vol. 31, No. 4 (Winter, 2000), pp. 1009-1041
The Strawberries of Hieronymus Bosch
Author(s): Walter S. Gibson
Source: Cleveland Studies in the History of Art, Vol. 8 (2003), pp. 24-33
The Garden of Earthly Delights by Hieronymus Bosch: The Iconography of the Central Panel
Author(s): Walter S. Gibson
Source: Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art, Vol. 24 (1973), pp. 1-26
“Sicut in utrem aquas maris”: Jerome Bosch’s Prolegomenon to the “Garden of Earthly Delights”
Author(s): Charles Dempsey
Source: MLN, Vol. 119, No. 1, Italian Issue Supplement: Studia Humanitatis: Essays in Honor of Salvatore Camporeale (Jan., 2004), pp. S247-S270
Alchemical Imagery in Bosch’s Garden of Delights. by Laurinda S. Dixon; Hieronimus Bosch: The Temptation of Saint Anthony. by Anne F. Francis Review by: Walter S. Gibson
A New Clue to Bosch’s Garden of Delights
Author(s): Patrik Reuterswärd
Source: The Art Bulletin, Vol. 64, No. 4 (Dec., 1982), pp. 636-638
The Crab, the Sun, the Moon and Venus: STUDIES IN THE ICONOLOGY OF HIERONYMUS BOSCH’S TRIPTYCH “THE GARDEN OF EARTHLY DELIGHTS”
Author(s): ANNA BOCZKOWSKA
Source: Oud Holland, Vol. 91, No. 4 (1977), pp. 197-231
Folklore Motifs in Late Medieval Art III: Erotic Animal Imagery
Author(s): Malcolm Jones
Source: Folklore, Vol. 102, No. 2 (1991), pp. 192-219
HIERONYMUS BOSCH: JOHANNES AUF PATMOS: Eine Umwendtafel für den Meditationsgebrauch
Author(s): WILHELM FRAENGER
Source: Zeitschrift für Religions- und Geistesgeschichte, Vol. 2, No. 4 (1949/50), pp. 327-345
Water, Wine, and Blood — Science and Liturgy in the “Marriage at Cana” by Hieronymus Bosch
Author(s): LAURINDA S. DIXON
Source: Oud Holland, Vol. 96, No. 2 (1982), pp. 73-96
Astrology and Jerome Bosch
Author(s): Andrew Pigler
Source: The Burlington Magazine, Vol. 92, No. 566 (May, 1950), pp. 132-136